Many artists in the music industry aspire to sign with a major record label, believing it will lead to fame and success. Labels provide financial resources, professional guidance, and established connections, aiding marketing, production, and promotion. However, some often come with strict contracts that limit creative freedom and impose financial obligations, making the process more complex. As artists leave their labels, whether due to contract terms or other reason, they face both challenges and opportunities. This new phase allows them to redefine their careers on their own terms. Nigeria’s music industry has witnessed numerous artists leave their record labels to pursue creative freedom, financial control, and bigger opportunities. While some flourished independently, others struggled to maintain the momentum they once had under structured labels.
For many Nigerian artists, signing with a major label is the gateway to stardom. However, as they grow, disputes over contracts, royalties, and creative control often lead to exits. Wizkid left EME in 2014. Kizz Daniel fought a legal battle to break free from G-Worldwide. Burna Boy also parted ways with Aristokrat Records. More recently, Seyi Vibez and Shallipopi left Dapper, while Asake’s departure from YBNL has become the latest headline.
This article explores the journeys of artists who have experienced the highs of being signed to a record label. However, many later felt restricted by contracts and creative limitations. It highlights how leaving a label can open doors to new opportunities and reignite an artist’s passion for music. Many artists have left their labels over the years. However, this piece focuses on the most recent and widely discussed departures.
Some artists have shown that leaving a label at the right time can be a smart move. Their success inspires others to take control of their careers. However, others have proven that being signed comes with challenges. Leaving at the wrong time can also come at a heavy cost.
How These Artists Left Their Record Labels
Asake
One of the most talked-about recent departures is Asake’s exit from YBNL Nation, the label founded by Olamide. His rise to fame was rapid, fueled by hit singles like “Omo Ope” and “Sungba,” which cemented his place in the Afrobeats scene. As his contract neared its expiration in early 2025, Asake chose to leave YBNL in pursuit of greater creative freedom. He launched his label, Giran Republic, in 2025 marking the beginning of a new chapter in his career.
Asake’s transition to Giran Republic is still in its early stages, making it too soon to judge its success. However, his first single under the new label, “Why Love“, has received widespread acclaim, hinting at his continued evolution as an artist. Asake’s exit from YBNL seemed smooth, with no public conflicts, reflecting a positive shift in artist-label separations when handled professionally. While the full impact of this move is still unfolding, Asake’s talent and influence in the industry suggest he will continue to thrive.
Seyi Vibez
Next on the list is Seyi Vibez’s recent departure from Dapper Music. This move marks a significant turning point in his career. He officially announced the split on September 16, 2024. The decision came after public scrutiny when he canceled a Toronto show without prior notice. In a bold step, Seyi unfollowed Dapper Music’s CEO and updated his social media bio. He also deleted all posts related to the label, signaling his new status as an independent artist.
Seyi and Dapper Music had a successful partnership since 2022. Together, they produced hit singles like “Chance (Na Ham)“ and won a Headies Award for Best Street Hop. However, reports of conflicts, as stated in press releases from both parties, ultimately led to his departure. Following his exit, Seyi Vibez established his own label, Vibez Inc., aiming to maintain artistic freedom and nurture emerging talents.
In conjunction with this new chapter, Seyi Vibez released his latest EP titled “Children of Africa”, where also featured an American rapper NLE Choppa on the second track “Macho”. The EP has received positive feedback from fans and critics alike, showcasing his signature blend of street sounds and contemporary Afrobeats influences. This release not only highlights his prolific output but also underscores his determination to remain relevant in the competitive music landscape. As he navigates this independent path, Seyi Vibez exemplifies how artists can leverage their creativity and entrepreneurial spirit to carve out successful careers in the evolving Nigerian music industry.
Shallipopi
Meanwhile, Shallipopi and Muyeez have also joined the growing list of Nigerian artists parting ways with their record labels, leaving Dapper Music & Entertainment amid allegations of exploitation and mismanagement. Shallipopi, the fast-rising star behind hits like Elon Musk and Cast, voiced his dissatisfaction, accusing the label of financial mismanagement and prioritizing profits over his career growth. He also criticized a forced publishing deal with a subsidiary company, claiming it restricted his creative freedom. Shallipopi’s move surprised many fans, especially given his rapid rise to fame. In addition, Shallipopi recently released his first single of the year, “Laho“, which is already making waves on streaming platforms.
Muyeez
Likewise, Muyeez, a protégé of Seyi Vibez, revealed that despite releasing three successful extended plays in one month, he received no royalties for his work. He described his experience as one of neglect and betrayal, citing unrealistic demands from the label without adequate support. Their departures have reignited conversations about artist welfare and the need for greater transparency in the Nigerian music industry.
The label responded to these allegations by emphasizing its commitment to artist development but acknowledged the challenges posed by the recent exits.
Joeboy
Breaking new ground, Joeboy also parted ways with Empawa Music, the label that helped launch his career. Founded by Mr. Eazi, Empawa played a key role in shaping his rise to stardom. After five successful years, during which he released two EPs and two albums, Joeboy is now embracing independence. He has launched his own record label, Young Legend, marking a bold new chapter in his journey.
In an even bigger move, this transition comes with a dual deal with Warner Music, a global powerhouse known for working with stars like Ed Sheeran and Cardi B. Joeboy’s decision to leave Empawa was not impulsive. He had been planning this step for two years, ensuring he was ready to take full control of his career.
Now, as the CEO of Young Legend, he aims to nurture the next wave of Afrobeats talent while continuing to build his own brand. His departure signals a major milestone as he pushes beyond the African market to establish himself on the global stage.
Other Artists Who Have Left Their Record Labels:
- Wizkid – Left EME to form Starboy Entertainment
- Kizz Daniel – Left G-Worldwide to establish Flyboy Inc.
- Tiwa Savage – Left Mavin Records for Universal Music Group
- Adekunle Gold – Left YBNL
- May D – Left Square Records
- Mohbad – Left Marlian Records
- Runtown – Left Ericmany Entertainment to form Soundgod Music Group
- Lil Kesh – Left YBNL Nation to start YAGI Records
- Reekado Banks – Left Mavin Records to launch Banks Music
- Brymo – Left Chocolate City
- Simi – Left X3M Music, now independent
- Ycee – Left Tinny Entertainment
- Tekno – Left MMMG to establish Cartel Music
- Harrysong – Left Five Star Music to create Alterplate Music
- Cynthia Morgan (Madrina) – Left Northside Entertainment
- Humblesmith – Left N-Tyze Entertainment
The trend of Nigerian artists leaving their record labels reflects a growing desire for independence and control over their careers within the music industry. As more musicians seek to establish their own brands and creative directions, this shift not only empowers individual artists but also fosters a more dynamic and innovative music scene. The departures of prominent figures like Wizkid, Tiwa Savage, and Kizz Daniel serve as both inspiration and cautionary tales, highlighting the importance of fair contracts and artist welfare in an evolving landscape. Ultimately, these changes signal a new era where artists are increasingly taking charge of their artistic destinies.
